Physical features —— her hair.
Caelan’s hair is long, thick, and full, even a tad fluffy. A basic colour at first glance, the hair piled upon her crown looks like an intricately braided mass of brunette, with nothing worthy of further examination. However, it is only upon further examination that you see the warm, subdued hue hidden within the brown entanglements, a dark red that highlights individual follicles to set them apart from the rest and overall frame her face and the plaits of her hair —— like slivers of a rich maroon running through a dark brown; it’s striking and bold when light hits her hair and it makes her stand out. In terms of fullness, her hair is extremely thick and as such it can be very difficult to maintain (seeing as she spends most of her time by herself, and thus can’t implore anyone’s assistance in taming it) which, coupled with the cultural customs to which she adheres, means that it’s easiest for her to maintain by pulling it into a braid.
The braid in question is thick as a rope and trails down to mid-back (her hair is longer when it is not braided) while her bangs —— which run down to her collar bones —— are left loose and braided half-down their length before being pulled up and pinned to the top of her head by weaving them together and clasping it with a small metal ringlet. In fact, throughout her hair there are tiny, delicate chains which have metal ringlets attached, and they are braided into her hair as a sign of status. It’s an ❛I Am A Warrior❜ statement to her. All-in-all, her hair is built up and highlighted scarcely but in such a way that it draws the eye since she has the metal threaded throughout her hair. It is powerful and proud in appearance.
In addition, her hair is semi-rough to the touch, pleasant enough to run your fingers through but overall overwhelming because she has so much hair she could probably strangle someone to death if she were to wrap it around their necks and apply a liberal amount of pressure for a minute or two.
He needn’t spare breath in reprimand for that which she is cognizant of her foolishness. Silence, that language in which she is fluent, he extends now in scolding ire whilst gloved hands stanch the flows of carnelian straits and restrain them and their ilk to stains ❜pon garment and flesh alike. The gaping maw of a wound is sealed by his care, and ❜tis this sentiment of his that evokes physical manifestation of her humiliation, ashen cheeks dusted sour by reflection of the hue imbrued upon the skin of her abdomen; it graces her visage in palpable chagrin (thoughtless girl: you know not the value of your life, do you?) and in so doing must avert her gaze elsewhere.
Her body is an open nerve, and each careful ministration delivers a jolt of searing pain, yet she durst not wail in pain (nor anguish that she had failed at obtaining death for herself, try as she might) and lies prone as she had fallen, contenting herself to the shock of agony as a self-inflicted torture, retribution for her deed. Iwis, had she nary thought to vanquish their foes on her lonesome, there would be no cause for the current state of affairs.

By silence and averted gaze, the gentle shakes that rack her body convey her response: I am sorry.

Vague ascension of brows mirror the gentle dip of lips as they curl into a frown fraught with meekness, an expression of apposite consternation thusly donned: she does not understand.
A silence then affixes itself to a gasp unbidden, mouth held agape, eyne of muted silver shining their disbelief as fingers instinctively coil inwards on callous-ridden palms with a force reflecting that which freed organ from rib cage. Eyelids flutter a butterfly’s beat, staring at the inconceivable act thusly committed before her … What had she done to solicit such action? Such barbaric retribution? For what reason would he so willingly break bone and rip flesh to pull at the heart beating beneath his breast? Sense cannot be warranted from it, and where once she would have thought no more of it than a fly feasting upon carrion, to her very core is she racked by harrowing dubiety, a shiver passing through the entirety of her person.
(Stop. Bring no further harm upon thyself;
force me not to lay witness to thy self-destruction.)
In a flurry do arms swing wide, and she reaches forward desperately, unawares of sinew already weaving together and reconstructing that which he held in his palms so casually; sole intent on stanching the wound with her own hands if need be and deaf to all else.
How cruel was Fate, to taunt her once more, to bear forth that damnable reminder that all that is mortal will die and will one day fade into obscurity —— nonetheless, to turn a most beloved friend into a vessel for such a lesson dries her mouth and taints her internal wails sanguine.
Not again.

Stalwart mien is thus tainted by her heart, visage contorted and twisted as she vehemently —— voicelessly —— protests the image of that life-sustaining organ cradled in his palm, desperate not to be helpless once more to the death of one much belovèd. Luiseach died for Caelan’s own folly; carelessness which spelt penance by the wresting of her sister’s soul and subsequent squandering of any life that flickered within her honeyed eyne (and, mayhaps, ❜tis that very memory which thereafter caused for the dulling of steel irises, made cause for them to become dead and irreflective of any light: for she had lost her light as Luiseach’s own was extinguished) and ripped her from the world so callously. For one held so dear to inflict such a wound upon themselves … She is distraught, overcome by her own ineptitude and inability to repair what was lost.
Not again.

wounded. my heart certainly did not just jump into my throat. REALLY YOU ALL ARE TOO KIND TO ME and I literally deserve none oF THIS KINDNESS I never do drafts and I’m always short and REALLY LATE ldskfnsdlfn I’m so dumB WHY EVEN I JUST lkdsnflk I haven’t put up Caelan’s revised about page yet are you joking
Perhaps it is a brand of mercy (albeit stained by amusement) which bends umber brow, lips pursed in slight whilst arms are held aloft, crossed o❜er her chest and maintained in patient repute,

❛ Ie. ❜
Fingers, calloused and rigid from constant grip on the pommel of a sword, part the ebon streak of hair running along his back, sifting through the strands with a ghost’s touch (it can be argued as to whether or not she’s doing this at all) in an extension of comfort.
Shhhh, she’s here. Just rant to her and she’ll listen and make you some tea.

Lays prone and crushed beneath the tree.
She may be 157 kilograms when clad in armour, but that does not mean she is capable of bearing the weight of an entire tree. However, she is flattered, in a sense, and utters no breath of protest as her lungs slowly fail her and begin to collapse.

The human question mark pauses a moment to stare at her armour, a moment afforded to observe its condition. Failing armour simply would not do.


Had I been born a vegetable, I’d be useless, however?
Sparkling wonderment and crooked elbow, tilted chin and eyne brimming wonder; please, entertain her more with stories. She knows not what you speak, but is captivated nonetheless.

Silence fixates itself like sutures into the flesh of carmine lips bitten raw by absentmindedness as itinerant gaze lingers ❜pon the dull edge of the horizon afore it drifts towards her companion, brows swiftly bent in critical dissection of statement made.

Killer though she may be (blood has turned to rust and it clings to her skin, her hands, her tongue; there’s only ever more to be had —— it cannot be stripped away) there must always be reason for the act; whether it be coin (mark well that gold stirs no heart cloistered within her breast), an order as an act of war, a favour. She deals death like a peddler his wares, and just as a merchant expects payment in exchange for his goods, she, too, expects but one thing in order to deliver the sigh of blade —— reason. And reason he does not provide.
Nay, he bastardizes that which she does and calls upon her to end life for no reason at all —— insult comes to bear in the narrow of steely eyne and the recoil from him, reacting as though she had been physically assaulted instead of an idle comment having simply made.
Fingers, calloused and worn (her hands are all battlescars and tired palms, war does not so easily leave once it was gone; it lingers and makes itself distant yet everpresent —— there is ne❜er any escape from It, not even in the mundane) extend delicately towards the peculiar bread only to retract afore fingertips touch the crust, umber creased in deep furrow upon Warrior’s physique. If the owner had erred and not collected the bread, she should be a thief if she were to so much as lay a hand upon it; nay, she simply cannot bear to take such a grievous action.
It is hardly a second thereafter that she sits beside the bundled square of bread, awaiting the return of its owner, and resolved to make sure that it could be properly returned. No thief durst attempt steal that which was under her protection.

Half-assed emotes repair naught when muscle is sheered from ligament and blood quenches the Earth’s thirst; please, I implore thee to act more than simply stare disapprovingly —— ❜twould be no hindrance if thou wouldst extend a hand and help me to mine feet.

There is no forewarning, nary a preceeding shout of contempt to allude that any person mayst have qualms with her, and thereby ❜tis by a fair measure of surprise that she should turn and witness a projectile being slung towards her. Having appropriately gauged the trajectory of the rogue dessert the warrior narrowly evades the attack by allowing it to fly past her scarred visage; eyne are closed, and breath lingers still ❜pon her tongue, bated and drenched in resulting dubiety.
Who would throw a pie? Would not a knife better suit their purpose if they sought to take another by surprise?
A pause, broken only by the susurrus of shifting weight and scuffing boots upon the ground as the itinerant thereafter gazes upon the remnants of the would-be weapon, umber brows drawn taut. She blinks, understanding little of what has betided, and shrugs any care for the happening at all with a simple roll of her shoulders, the cold hiss of steel reassurance enough as she begins to walk as though she’d never been hindered to begin with.

original character. main blog. independent. private.
Original Character Blog.
Private: strictly interacts with mutual follows.
Hopefully that big ol’, “Original Character” blast up there was enough for you to know what this blog is – an Original Character. To get things right off the bat, this is my brain-baby. Theft of any sort from this blog is not tolerated, and don’t try spoon-feeding me that, ‘Oh but you just inspire me so much, Cath!’ bullshit ‘cause it’s theft and we all know it. There’s a difference between inspiration and stealing.
Kālĭnn is from an Empire rather like Mesopotamia, so it’s OLD. Old. The majority of the rest of the world within her canon resides is similarly Antediluvian; however, you will notice that she takes on the traits of many Mediæval Knights. No this was not a mistake, yes it is done on purpose. The best thing to keep in mind if you have any thought of interacting with Kālĭnn is that she is culturally displaced, MUTE, and is so stoic and calm in reaction to everything that it’s asinine.
☑ BLOOD, GORE, VIOLENCE.
☑ LANGUAGE, PROFANITY.
☑ ‘DARK’ THEMES.
☑ SENSITIVE MATERIAL.
☒ MAGIC ANONS.
☒ SEX, SMUT.
☒ ASKS PERTAINING TO SHIPPING/RELATIONSHIPS.
☒ GODMODDING, META-GAMING.
☒ HATE OF ANY VARIETY.
All of this is rather self-explanatory. Due to the nature of the muse, the themes dealt with inside my canon, and with a plethora of muses with whom I interact, content will include but are not limited to: blood, violence, and language. I don’t tag most ‘slurs’ unless they are ones I decide not to use myself, or am asked to tag. In which case, I probably wouldn’t use the word anyway. I do not tag gore in my posts unless it’s an image. I do not tag blood in my posts unless it is an image, nor do I tag weapons or anything of the like. Magic Anons have been used to insult the integrity of my character and myself as a person numerous times, and thus I’d like to not receive them; while sex jokes and talking about sex is fine, actually seeing sex or anything of the visual nature induces anxiety attacks for me due to reasons I am NOT obligated to share, and as such I will not write smut, and I ask that all sexual images be tagged. Everything else on the “don’t” check-list is due to personal preference – oh, and I’ll laugh at anon hate and delete it on sight.
Kālĭnn isn’t exactly romance friendly, if you hadn’t guessed. She’s resolute, stuck in her ways, waiting to die, and expends herself on people like you won’t believe. While open to friendships, romances are another thing entire, and she is single ship, ergo, I already have a ship parner and I don’t plan on changing this any time soon. If you wanna brOTP with her, be my guest! I mean, look at her borderline “something deeper” brOTP with Greed. It’s possible to become her friend, anyone could easily be her friend because she does not hold grudges ( except against herself ) so really, there’s always room for something, just hit me up with an idea.
Chances are that if you’re seeing artwork on this blog, it does not belong to me. In fact, I keep a log of art credits on this very page. However, I do make edits and I take credit for the work that I have done that way, whether it be icons or banners or other miscellaneous graphics, they are mine, and taking from me is not tolerated because you do not know if I had the artist’s permission, and if you take from me, you definitely do not. Be smart.
The coding is mine. I made the code for this baby. I already released my code to the public, I’m sure you can find it on my personal somewhere ( my personal’s the credit link ), so honestly have away at it. I won’t answer coding questions unless it’s off anon, on my personal, or from a close friend. Sorry. I’m not that amazing at coding either.
ART CREDITS
Dashboard Icon: Era One – Concept 8 by Simon Goinard on ArtStation.
Dash Banner: Goddess of Victory by EVentrue on DeviantART.
Theme Art: I’m currently still hunting down the source, but it looks like the source was deleted. If anyone knows, lemme know? I wanna put their credit up.
Icon Art: Mostly by Norihiro Yagi, from their manga Claymore.
All other icon art will be sourced here as well.
Graphic Maker: The ever-wonderful Stevie! A big hand to her genius~
| BITCHSTICKS | WAFFLENUGGS |
| BITCHSTICKS | WAFFLENUGGS |
Name: Kālĭnn. ( Kay — lynn. )
Alias(es): None. However, has accrued the moniker ❛Iron Talon❜ in certain regions.
Age: Twenty-Eight. ( By Earth standards. Perceives self as being Twenty-Two Cycles of age. )
Hair Colour: Mahogany. ( A deep, rich brunette with flame-hued highlights and deep red colour whenever light hits it; could easily perceived as dark brown unless her hair is highlighted by light. )
Hair Length: Typically maintained within multiple braids, with her ( collar bone length ) bangs being braided and kept pinned on the top of her head so that her eyesight is not obscured; the rest of her hair, when braided, is approximately level with the small of her back.
Eye Colour: A very lackluster hazel that appears to be grey rather than its true colour.
Complexion: Dark, a very rich and deep tan.
Sex: Female.
Gender: Female.
Nationality: Akkadian.
Height: 1.85 metres ( 6 feet, 1 inch. )
Weight: 84 kilograms ( 185 pounds. ) However, when she is wearing full armour, she weighs roughly 157 kilograms, or 346 pounds.
Body Build: Lean, robust and rippling sinew beneath layers of metal armaments, she is fit and athletic, and with no lack for muscle. Powerful and domineering physically, she has well-built hips and a graceful figure. Lean for lack of body fat ( by lack of proper eating habits and the frequency of the arduous and physically demanding tasks she indulges in ) but for no lack of muscle. She is extremely-well built. Could crush a man's head with her thighs.
Physical Marks: A running from the bottom of her right ear across her cheek and over the bridge of her nose. It is wide and discoloured, the wound being more aesthetic than debilitating, however. Another scar trails from her left hip up across her back, cutting clean over the spine and around her right shoulder blade only to peak in severity at her right shoulder where the blade which has split her so had bit fiercely. ( Please note for all threads which are to take place post!Molymnias arc: At Molymnias, Kālĭnn's left eye is flogged out of socket. In addition to the re-opening of her facial scar, her lip becomes cleft and heals awkwardly so that she seems almost to sneer perpetually. )
Romantic Orientation: Demiromantic.
Sexual Orientation: Pansexual.
Marital Status: Single. ( However, taken heart & soul. )
Zodiac: Scorpio.
Chinese Zodiac: Tiger. ( Element of fire. )
MBTI: ISTJ. ( Introverted Sensing Thinking Judging. )
MBTI Variant: Assertive.
MBTI Role: Sentinel.
Enneagram: 9w1 SO/SP.
Temperament: Choleric.
Element: Fire.
Rank: Hired soldier. ( Mercenary; wayfaring Warrior. )
Weapons: Seeming to be a most ordinary broadsword, Kālĭnn's preferred weapon is realtively unextraordinary at first glance, for it is neither gilded nor engraved with filigrees, and bears no crest or crust of jewels; the blade itself is modled after those of her homeland: wide, straight, and tapering towards the end into a rounded rounded ( yet lethal ) tip, and modified with the superior craftsmanship of an Akkadian blacksmith so that the metal is flexible yet retains its shape, aborbs shock through its core so as not to dull the edge or jeopardize the blade's wholeness. Make no mistake; it is a weapon of war and has slain many, and the blood of hundreds stains its guard crimson. As nameless as its master is to those she encounters, it is the most notable thing aside from her armour which is also modified after that of her homeland, as per her explicit request and exhaustive funding. Aside from that, she's several knives which she keeps stowed away, of similar craftsmanship ( though not so durable ), and, on occasion, she may weild a long-bow of exceptional height and draw-weight. However, her bow is nigh explicit in its use for hunting; she's yet to use it to loose an arrow into human flesh.