Streams of florid ichor imbrue mocha flesh and stain❜t carmine in hue as they flow e❜er so languidly from betwixt lips chapped by hollowly whispered pleas; she gazes into naught, steel-hewn gaze focusing on intrinsic nothingness as the shuddering coil of mortality quakes, and pleads softly, so that ❜tis no more than a susurrus of evanescent forme,
“You look like a tough one— I don’t s’pose you’re up for being hired?“ It is hard to come by those that are hardened in battle these days (especially ones not loyal to the Conqueror) but he is happy when he finds someone new because he is always open to help, always accepting it and he can only hope that he’ll be able to lend a hand in return. “You are, right?”
Query garners naught but the meagre cant of her head, mahogany tresses shifting in slight and chinking in metallic chime as plaits (weaved with delicate chains of steel betwixt) gently scrape over a gardbrace polished to effulgent sheen. Itinerant in her Way though she may be, services of a militaristic nature is that by which she has been raised (seeming to have a proclivity for the bloodshed) and that which she continues to offer, the blade hung about her waist all the affirmation she’d need for words she’d not intone. Belatedly does umber crown beckon alow, a solemn nod to acquiesce his observation and self-same affirm her eligibility for hire. (Though she’d hardly a need for such, as there is little profit that she could not gain by a means more mundane; she accepts nevertheless.)
“You probably shouldn’t brandish weapons in public.”
Brows quirk in tandem afore they follow the other’s gaze to Gwrtheyrn, situated snugly ❜gainst cuisse polished proud; there is but the span of a single blink wherein there’s not a movement, and an apologetic bow to punctuate the ending of rigid confusion. She is sorry to have propagated disquietude and vexation both.
Humiliation sown ❜twixt twin swathes of umber, brows raise o❜er a wholly apologetic gaze; it had not been her intention to beget the concern of a stranger, let alone cause them to pause. Clad in taciturn decorum, clandestine form juxtaposes a visage dusted carnelian by embarrassment nigh palpable.
her supratip twitches,consequently allowing for the vermilion estigma ripple across her light, ecru-coloured countenance. she senses something antithetic in the warrior’s poise and her incongruous quiet demeanour; it sparks a bout of apprehension within the child-like arrancar — but, she makes an effort not to let her uncertainty show. ’you … no talk? ‘
Timid and demure tessitura hails, belated utterance tentative in its deliberation; and it is such a meekness of address to which she responds, for so accustomed is she to gruff word (or even benign ignorance of her presence), that such gentle words be directed towards her is an unlikely conclusion: yet, here she finds herself thusly confronted by a bairn upon ❜rounding on her heel, when intent had been to appraise from whence oration had made its origin (an allotted pause ❜tween the dissipation of sonance and halt in forward gait had assured that the call had beckoned unto no other save for the Wayfarer herself, as she is scarce to believe anyone would deliberately seek her attention). Astonishment widens steely eyne thereafter, startled stare keen upon the form of the young girl, twin swathes of umber piquing o❜er a gaze henceforth wrought of wonder.
The muted beat of a heart —— once, twice, thrice —— is all that is to be heard within the stark silence, tension eked on by continued quiescence —— fourth, fifth, and a sixth time has Heart’s beat tarried in the repose —— until e❜er so gently, so overwhelmingly gently, does the Warrior bend down upon her knees before the child, pauldrons ground firmly into the dirt, arms balanced delicately upon armour-clad thighs, ❜till such that she is brought face-to-face with the other’s petite form.
And to the child before her is a most meeksmile bequeathed.
a rare interest towards not powers, not an aura, but movements - abilities - is shown. hence teeth nibble constantly, loudly, on a dark and sharp claw. optics piercing on an opposite visage.
Impassive does she remain, bequeathing naught but a stare of equal proportion unto he who gazed at her with such evident intrigue. Despite the gnawing of teeth reverberating betwixt them (it is the only sound to be heard —— all else lays in a silence regardably eerie; and ❜tis only by the void of sound that the warrior finds herself disconcerted in the slightest), the vagrant warrior is not so easily perturbed by queer looks and attentiveness alone. Nay, placid mien remains, starless stare (oh, if such matte eyne were to be proclaimed as ❛Gateways to the Soul❜, one may presume her to be devoid of one such Soul, for how hollow she appears! An armour-clad husk of a woman) fixated upon the stranger with little more than a removed sort of curiosity.
Such smug countenance adorning her visage? Surely an inane prospect; yet here she sits, all coy and cool whim, the vestiges of a simper hinted upon warrior’s lips —— yes, she is rather pleased with herself.
Seldom is hethe one by which such qualms can be construed, for his orifice is tightly-knitted if in battle, lest a fear-mongeringguffaw be sown into the wind’s stratum; but nevertheless, if metacarpal fortitude becomes besmirched—imbrued by humanichor—and so do the likes of atrous raiment, he may propose an intonation riddled with chagrin.
❝ Y’know, I might consider pickin’ up another hobby if I ruin one more shirt. ❞
Melanic manus eschews its adamantine form, retreating and endowing the appendage with a more incarnadine hue whilst one punctured soul is ejected withal from his grasp. ( Mortal torsos rarely make satisfying punching-bags, it seemed. )
There is a fleeting integer of eudaemony printed upon the plumes, a vestige of echoed integrity of emotion; perchance there is sincerity in his smile, rendered askew.
❝ But, hey—anybody ever tell you that you’re one hell of a swordsman?❞
She retains some wonted serenity upon a mien sullied by ample globules of carmine ichor and gore alike, however none disturbed by stickiness thereafter adhered to her visage. Skirmishes (such as that now drawn to a close by wallowing corpses) are belikes a common occurrence, the aftermath of which she hath grown accustomed by no other behest but her own. Bedecked by the sanguine culmination of battle, a languid motion presents steely whisper to hiss through hastily-made silence as Gwrtheyrn glides into the grasp of its sheath alongside its master. Heedless of the corpse strewn about her feet, oculars flicker towards comrade in passive observation.
Nary a word is thence reciprocated to praise; strictly a critical gaze and perked umber brow bequeathed in lieu of loquation, acknowledgement conveyed only by scrutinizing stare which scours every contour of his form in overt inspection of wear and grime (inwardly is a sigh born of satisfaction breathed, upon ensuring that no harm had befallen him) afore ❜tis thereafter dispersed unto combat’s ungainly remnants. Ghostly steps, faint in flirtation with sound, bordering the plane of existence in ethereal disposition, deposit chevalier form to stoop at his feet, inspecting what had be wrought upon the man with effort that had been all but evanescent. Satisfied, there’s now but one obstruction to their continuing on their pathless journey.
❜Twould be improper to simply leave the carcasses strewn about to rot as carrion —— an imploring gaze is cast upwards, appearing nigh innocent in her speechless request for assistance. (She cannot dig graves by her lonesome.)
“—I’m… not that hungry, miss. But I appreciate the offer.” Perhaps a partial lie, finding that the knots contorting inward his abdomen wasn’t simply due to fatigue.
“You probably need them more.”
She’d no sooner beget a gift unto another than she wouldst claim it for herself; ❜tis by observation alone that conclusion —— and decision on the action therewith —— had been resolved upon in staunch determination. Once more does she extend her offering, brows perking in accord with resolute gesticulation. (Recollections of quondam years beg forth an eking of sympathy; she recalls herself at such a youthful age, much the same as he appeared to be.) It is clear that she’d not tolerate declination on his behalf.
the voice emerged not from his container, not the face and image and amestris’ serenity, no:
from the spanse of obsidian that carpeted the grass and trees.
❝ tragedy comes less frequently to those who obey.❞
Quietude becomes solace, spindly fingers of night coalescing in atramentous straits stretching o❜er the horizon and dragging the Earth into Darkness’ shadowy maw, encasing forest and wayfarer both by stygian shroud. Unawares of what mayst lurk in inky twilight (or, perhaps, she simply pays no heed to the Powers that Be; for they shall do as they must, and she shalt partake of her role in the universe regardless) she continues onward along her path, only giving pause to lay weary gaze upon shadows seemingly construed of malice —— a forgone conclusion to which there is not a hitch in steady gait.
❜Till soliloquy rends asunder fettered silence doth wanderings greet their cessation, sonance falling hushed upon unnaturally still air; she is wary. Halted in place, she utters not a sound, bequeaths no acknowledgment nor understanding unto the abyss. (When had the Thirteen bestowed voices unto the shadows? Such is a query best left to oblivion, as she knows naught, and from whence oration originates is a musing freshly mulled —— cognizant that shadows have always spoken, a faint susurrus ❜pon the purlieus of one’s mind, poisoning thoughts remorseful; yes, she has always known.) Alone she stands, silent as the death which she heralds, motionless personage rigid ❜neath paladin pauldrons, resolute and firm in stance asserted. She fears naught which may linger in the blackness.
“Ah.. are you interested in this?” Flower picking and weaving became her biggest hobby since her dear friend had taught her the ropes. Not she minded much seeing as the princess herself lacked much skills to be a domestic woman—as delicate as she may be it was difficult for her to be this delicate as she would with these flowers, not when her porcelain fingers were hardened on a battlefield.
A pause henceforth follows the waning of query posed, silence begotten by a tongue bereft of susurrus, vocals twisted to but a hollow mantra of continued nothingness. Yet, despite the quiescence suspended ❜twixt wayward warrior and maiden (though such a conclusion is called to question; semblance lacks what one must expect to originate from gentler vocations, and rarely can one exposed to war so easily escape its grasp. Nay, it leaves its marks plain to see, and selfsame scars are shared upon her own visage) and irises, e❜er serene, remain transfixed in their fascination with such humble workings as that of weaving blooms.
Deterred only in slight, a fluttering blink beseeches pardon for being remiss of proper manners, thereafter concluded with the dip of flame-lined tresses of mahogany.
Starless gaze, struck by variegated hue, looks onward unto the horizon brimming carnelian straits of splendor across the expanse of navy skies; such is dawn beheld by the wayfarer, little sated by meagre rays of sunlight ———— she wishes to bask in the glory of the dawn and every flavored nuance tinting verdigris ❜pon blades of grass. (The silence of the morning reflects the emptiness of her mind; naught occupies thoughts save for the beatitude of Nature.)
❜Tis facile, incredibly so, to force the tip of a well-honed blade through a gap in another’s defense and penetrate flesh, rend sinew from bone with a single effortless pierce through the mistake which left an opening on their abdomen clear to be spotted by keen and accustomed gaze. And their cries fall upon deaf ears —— she’s no mind to listen to the lamentations of the fallen.
A swift movement thereafter, and the lifeless corpse slips off the blade just as easily as it had been run through (as a corpse is a person no longer), while she stands, Gwrtheryn brandished before her.
he says, agentle and meek smile curving lips while hands are carefully handing out a furred coat that seems almost identical to the one he dons, perhaps a replica that he’s crafted so that she feels as though hers was never given away. it’s soft, a bit more large compared to what she had before, and maybe more comfortable to have lay atop her armored shoulders; it’s held out just before her, ruby softened as he tilts his head just slightly, voice kind when speaking again.
❝ — in return for the one you gave me. ❞
Beguiled astonishment engulfs the entirety of warrior’s visage, eyne forthwith exacting a appraising gaze to pander o❜er the proferred gift, and ❜tis with immense awe that the garment is beheld; reflex guides fingers to grasp forth, yet hindrance palpitates and carpus halts its thitherward advance afore she mayst do so much as stroke the cloak dangling from his grip. She had not given her cloak to him in hopes of some return favor; furthest from contemplations were a notion so veritably idyll. While the absence of fur’s warmth had been sorely noted, no modicum of regret tinges recollection sour; nay, fain is she to have given away the garment, to have served another and provided where they could not.
And so it is with deliberate gentleness that arms complete their extension, wherein the acceptance of his offering lies in digits curling into plush pelage, steely irises cast towards the ground whilst she inclines her head, a wordless thanks.
Crimson hues are alight with soft affection as she notices his appearance. He was rather hoping she’d notice. Leaning against the doorframe, the famed Warden-Commander offers what could be Ferelden’s goofiest, lopsided smile.
There can be none save for she to be they unto whom be bestows simpering geniality, emitting amiability to which she is solely privy. A quirked brow further ascends, curling lips to reflect some unvoiced laughter (she finds no reason to speak) as she remains seated apart from the Warden-Commander, looking upon him appreciatively. She is ever so grateful for his kindness.
Be silent or let thy words be worth more than SILENCE.
S T A T U S .
original character. main blog. independent. private.
Original Character Blog. Private: strictly interacts with mutual follows.
I N F O R M A T I O N .
Hopefully that big ol’, “Original Character” blast up there was enough for you to know what this blog is – an Original Character. To get things right off the bat, this is my brain-baby. Theft of any sort from this blog is not tolerated, and don’t try spoon-feeding me that, ‘Oh but you just inspire me so much, Cath!’ bullshit ‘cause it’s theft and we all know it. There’s a difference between inspiration and stealing.
Kālĭnn is from an Empire rather like Mesopotamia, so it’s OLD. Old. The majority of the rest of the world within her canon resides is similarly Antediluvian; however, you will notice that she takes on the traits of many Mediæval Knights. No this was not a mistake, yes it is done on purpose. The best thing to keep in mind if you have any thought of interacting with Kālĭnn is that she is culturally displaced, MUTE, and is so stoic and calm in reaction to everything that it’s asinine.
☒ MAGIC ANONS. ☒ SEX, SMUT. ☒ ASKS PERTAINING TO SHIPPING/RELATIONSHIPS. ☒ GODMODDING, META-GAMING. ☒ HATE OF ANY VARIETY.
All of this is rather self-explanatory. Due to the nature of the muse, the themes dealt with inside my canon, and with a plethora of muses with whom I interact, content will include but are not limited to: blood, violence, and language. I don’t tag most ‘slurs’ unless they are ones I decide not to use myself, or am asked to tag. In which case, I probably wouldn’t use the word anyway. I do not tag gore in my posts unless it’s an image. I do not tag blood in my posts unless it is an image, nor do I tag weapons or anything of the like. Magic Anons have been used to insult the integrity of my character and myself as a person numerous times, and thus I’d like to not receive them; while sex jokes and talking about sex is fine, actually seeing sex or anything of the visual nature induces anxiety attacks for me due to reasons I am NOT obligated to share, and as such I will not write smut, and I ask that all sexual images be tagged. Everything else on the “don’t” check-list is due to personal preference – oh, and I’ll laugh at anon hate and delete it on sight.
S H I P P I N G .
Kālĭnn isn’t exactly romance friendly, if you hadn’t guessed. She’s resolute, stuck in her ways, waiting to die, and expends herself on people like you won’t believe. While open to friendships, romances are another thing entire, and she is single ship, ergo, I already have a ship parner and I don’t plan on changing this any time soon. If you wanna brOTP with her, be my guest! I mean, look at her borderline “something deeper” brOTP with Greed. It’s possible to become her friend, anyone could easily be her friend because she does not hold grudges ( except against herself ) so really, there’s always room for something, just hit me up with an idea.
C R E D I T S .
Chances are that if you’re seeing artwork on this blog, it does not belong to me. In fact, I keep a log of art credits on this very page. However, I do make edits and I take credit for the work that I have done that way, whether it be icons or banners or other miscellaneous graphics, they are mine, and taking from me is not tolerated because you do not know if I had the artist’s permission, and if you take from me, you definitely do not. Be smart.
The coding is mine. I made the code for this baby. I already released my code to the public, I’m sure you can find it on my personal somewhere ( my personal’s the credit link ), so honestly have away at it. I won’t answer coding questions unless it’s off anon, on my personal, or from a close friend. Sorry. I’m not that amazing at coding either.
ART CREDITS
Dashboard Icon:Era One – Concept 8 by Simon Goinard on ArtStation. Dash Banner:Goddess of Victory by EVentrue on DeviantART. Theme Art: I’m currently still hunting down the source, but it looks like the source was deleted. If anyone knows, lemme know? I wanna put their credit up. Icon Art: Mostly by Norihiro Yagi, from their manga Claymore. All other icon art will be sourced here as well. Graphic Maker: The ever-wonderful Stevie! A big hand to her genius~
DON’T STEAL. P.S. Sorry for being a total asshole in these rules. I promise I'm not as unapproachable as I seem ;w;
BITCHSTICKS
WAFFLENUGGS
BITCHSTICKS
WAFFLENUGGS
K A S Ū S U .
And no, it wasn't shame I now felt, or guilt, but something rarer in my life and stronger than both: REMORSE. A feeling which is more complicated, curdled, and primeval. Whose chief characteristic is that nothing can be done about it: too much time has passed, too much damage has been done, for amends to be made.
N Ā Š K A K K I .
Name: Kālĭnn. ( Kay — lynn. ) Alias(es): None. However, has accrued the moniker ❛Iron Talon❜ in certain regions. Age: Twenty-Eight. ( By Earth standards. Perceives self as being Twenty-Two Cycles of age. ) Hair Colour: Mahogany. ( A deep, rich brunette with flame-hued highlights and deep red colour whenever light hits it; could easily perceived as dark brown unless her hair is highlighted by light. ) Hair Length: Typically maintained within multiple braids, with her ( collar bone length ) bangs being braided and kept pinned on the top of her head so that her eyesight is not obscured; the rest of her hair, when braided, is approximately level with the small of her back. Eye Colour: A very lackluster hazel that appears to be grey rather than its true colour. Complexion: Dark, a very rich and deep tan. Sex: Female. Gender: Female. Nationality: Akkadian. Height: 1.85 metres ( 6 feet, 1 inch. ) Weight: 84 kilograms ( 185 pounds. ) However, when she is wearing full armour, she weighs roughly 157 kilograms, or 346 pounds. Body Build: Lean, robust and rippling sinew beneath layers of metal armaments, she is fit and athletic, and with no lack for muscle. Powerful and domineering physically, she has well-built hips and a graceful figure. Lean for lack of body fat ( by lack of proper eating habits and the frequency of the arduous and physically demanding tasks she indulges in ) but for no lack of muscle. She is extremely-well built. Could crush a man's head with her thighs. Physical Marks: A running from the bottom of her right ear across her cheek and over the bridge of her nose. It is wide and discoloured, the wound being more aesthetic than debilitating, however. Another scar trails from her left hip up across her back, cutting clean over the spine and around her right shoulder blade only to peak in severity at her right shoulder where the blade which has split her so had bit fiercely. ( Please note for all threads which are to take place post!Molymnias arc: At Molymnias, Kālĭnn's left eye is flogged out of socket. In addition to the re-opening of her facial scar, her lip becomes cleft and heals awkwardly so that she seems almost to sneer perpetually. ) Romantic Orientation: Demiromantic. Sexual Orientation: Pansexual. Marital Status: Single. ( However, taken heart & soul. ) Zodiac: Scorpio. Chinese Zodiac: Tiger. ( Element of fire. ) MBTI: ISTJ. ( Introverted Sensing Thinking Judging. ) MBTI Variant: Assertive. MBTI Role: Sentinel. Enneagram: 9w1 SO/SP. Temperament: Choleric. Element: Fire.
Rank: Hired soldier. ( Mercenary; wayfaring Warrior. ) Weapons: Seeming to be a most ordinary broadsword, Kālĭnn's preferred weapon is realtively unextraordinary at first glance, for it is neither gilded nor engraved with filigrees, and bears no crest or crust of jewels; the blade itself is modled after those of her homeland: wide, straight, and tapering towards the end into a rounded rounded ( yet lethal ) tip, and modified with the superior craftsmanship of an Akkadian blacksmith so that the metal is flexible yet retains its shape, aborbs shock through its core so as not to dull the edge or jeopardize the blade's wholeness. Make no mistake; it is a weapon of war and has slain many, and the blood of hundreds stains its guard crimson. As nameless as its master is to those she encounters, it is the most notable thing aside from her armour which is also modified after that of her homeland, as per her explicit request and exhaustive funding. Aside from that, she's several knives which she keeps stowed away, of similar craftsmanship ( though not so durable ), and, on occasion, she may weild a long-bow of exceptional height and draw-weight. However, her bow is nigh explicit in its use for hunting; she's yet to use it to loose an arrow into human flesh.